Fantastic Fest: Rom-Com Extraterrestrial , Erotic Musical Underwater Love Charm with Lies and Turtle Sex

Four years after bringing his feature debut Timecrimes to Fantastic Fest (where it won the Best Picture award), Spanish director Nacho Vigalondo returned to Austin, a place so warm and familiar he liked it to returning to the womb. “It’s like going back into my mother’s vagina,” exclaimed Vigalondo, addressing the friendly crowd at the debut of his sophomore film, Extraterrestrial. “So I get inside my mother’s vagina, and for some reason you are all there inside!” Extraterrestrial is a vastly different film than Vigalondo’s time-travel thriller Timecrimes, but it’s just as well matched to the Fantastic Fest spirit, a sweet little romantic comedy in the guise of an alien invasion movie. It begins one day as Julio (Julin Villagrn) wakes up the morning after a drunken one night stand with Julia (Michelle Jenner), a gorgeous but mysteriously aloof young lady who can’t seem to wait for her hook-up to leave, already, until both realize the city outside is strangely quiet. While they’ve been asleep, alien ships have materialized in the skies and the population evacuated, leaving them alone with no internet, no cell service, and only each other to depend on. That is, until Julia’s awkward neighbor ngel (Carlos Areces, star of last year’s terrifically twisted Fantastic Fest entry The Last Circus) reveals he’s stayed behind as well, not so secretly because he’s desperately in love with Julia. And then Julia’s boyfriend Carlos (Ral Cimas) returns home for her, bearing tales of government quarantines, and leaving the foursome locked in an amusing mire of shifting relationships, shared lies, and increasingly paranoid fears that there might actually be a real alien among them. Vigalondo lends a sharp sense of humor to the proceedings, and despite occasionally using clumsy fade outs to get from scene to scene, the film makes its way to a sweet, unconventionally romantic ending. It is, at its core, more character-driven romantic comedy than science fiction film, the ultimate realization of which may turn off those expecting the latter. But, as Vigalondo explained of his misleading alien element, “There is no reason. It’s like The Birds. You like The Birds? It’s a classic!” — Speaking of sweetly romantic but unconventional Fantastic Fest entries, just try to wrap your head around Shinji Imaoka’s Underwater Love: It’s a pink film, meaning it follows in the grand tradition of Japanese softcore erotic cinema, it’s a musical featuring songs by German duo Stereo Total, and the story — well, it involves a thirty-something woman named Asuka (Sawa Masaki) visited by a former classmate, Aoki (Yoshir Umezawa), who died 17 years ago and came back to life as a dancing, cucumber-earing mythical turtle-like creature called a kappa. Then there’s the chain-smoking, dress-wearing supernatural hippie, the death clock, the inter-species coupling, and the anal pearls. But more on those delights later. Shot by renowned DP Christopher Doyle (whose love for the drink came up uncomfortably often in the film’s intro and Q&A), Underwater Love is disappointingly unpretty to look at, thanks perhaps to a limited budget but probably more to a decision to pursue a washed-out visual look. Still, every now and then comes a breathtaking Doyle composition; the blue sky reflected in a stream, or fast-motion time lapse lingering on the solemn body of a naked woman in a river. But shot in about a week and with a cheeky acceptance of its limitations (Example: The “kappa” is an actor wearing a visibly fake turtle mask. Just go with it!), Underwater Love gets the basic job done, which is to bring a wonderfully perverse (in a good way) and playful love story to life. The musical aspect, however, is a letdown, despite an opening number set in a factory that called to mind Bjork and Catherine Deneuve frolicking among machinery in Dancer in the Dark. Imaoka admitted he only included it because he was asked to by higher ups, and considering that the whole production completed filming within just eight days (a luxury by pink film standards, apparently), who can blame him for at least trying? If anything, the nonsensical lyrics and awkward choreography only lend more wild whimsy to the show. Which brings me to the anal pearls. Rest assured this is the only film in history that will feature comically childlike turtle-people having sex with human women (the turtle penis fellatio scene is a LOL-worthy highlight) and pulling magical rocks out of their crotches which, if inserted into a human’s anus, will avert death. And I guarantee you’ll never see a case of necrophilia-as-CPR again on film — at least, it couldn’t possibly be as desperately romantic as it is here. Read more coverage of Fantastic Fest 2011 and follow Movieline on Twitter.

The Iron Lady gets a weird new parliamentary poster

The Iron Lady, the Margaret Thatcher biopic starring Meryl Streep, has landed a really quite odd poster over at Yahoo! Movies.The focal point is an image of Streep's uncannily accurate Thatcher-face, but some Photoshop work has the Houses of Parliament growing out of the side of her noggin.It's not that the Photoshopping's incompetent, it just makes for a very bizarre poster. The two images don't really have a visual symmetry to warrant the splicing, and it feels pretty heavy-handed (yes, we know she was into politics).That said, this oddity is hardly likely to deter the eager throngs keen to see if this will earn Streep more silverware for her collection.Check out the full image here:The Iron Lady opens 6 January 2012.

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CAA Signs Director of Toronto Hit 'Sleepless Night' (Exclusive)

Yesterday Warner Bros. closed a deal to remake french action thriller Sleep deprived Evening. Now, Frederic Jardin, who directed and co-written the film that opened up throughout TIFF's Evening time Madness, has signed with CAA for representation. PHOTO: Toronto Film Festival: 13 Films to know Evening was one of the hits from Evening time Madness, too as with a Die Hard meets Taken tone, follows a cop who, for individuals intents and reasons, is in a pulsing nightclub trying in order to save his kidnapped boy and judge military services weapons bag filled with cocaine while being attacked by various drug retailers and Internal Matters detectives. But despite all the action inside the movie, Jardin focus was to produce a film about fatherhood. STORY: 3 Toronto Takeaways: Oscars, Sex and Movie Sales And after obtaining a more sophisticated co-production agreement, shot the film using Canon 5-D cameras (which are photo cameras, not film cameras) in France, Luxembourg and Belgium. Prior to the film finished screening, art galleries were organizing to get remake rights, with Warners and producer Roy Lee finding yourself on top. CAA stood a strong showing as of this year's Evening time Madness. It made the acquisition for you personally are Next, the horror movie that agreed to Lionsgate after intense interest, which week signed Adam Wingard and Simon Barrett, the film's director and author, for representation. Toronto Worldwide Film Festival CAA

Zodiak Nordic signs Jensen topper

MOSCOW - Shingle Zodiak Media Group has hired Johannes Jensen as Boss, Zodiak Nordic. Jensen, who had been named Friday through the worldwide TV, radio, film and new-media producer, will mind in the group's division that's accountable for Scandinavia in addition to Belgium and Hungary. Zodiak Nordic includes top regional production companies for example Mastiff (in Sweden, Denmark, Norwegian, Belgium and Hungary), Jarowskij (in Sweden and Finland) and Tv stations (in Finland). Formerly Vice president Zodiak Nordic, Jensen will run the Scandinavian division alongside COO Jens Eriksson, CCO Joel Karsberg and CFO Mikael Royson. Zodiak companies have the effect of popular tv shows including "Paradise Hotel," "Strictly Come Dancing," "Remember the Lyrics," "Which Means You Think You Are Able To Dance," "Secret Uniform" and "Fort Boyard." In the last 18 several weeks Zodiak Nordic has effectively released homegrown shows for example Jarowskij's comedy show Solsidan and Mastiff's adaptions from the Zodiak formats "Best Singer" and "Beyond Limitations." "Our goal will be probably the most reliable producer on the market in addition to being the very best at creating developed formats," Jensen stated. "We're already among the top three production companies in many of the Nordic marketplaces. Our goal for future years would be to develop this foundation be delivering increasingly more original shows for the broadcaster clients." Contact the range newsroom at news@variety.com

Fox Worldwide Channels Uncovers New Sports Division

Fox Worldwide Channels and Fox Sports Media Group introduced Thursday they're creating a brand new division known as FIC Sports.our editor suggests 'Idol'-pocalypse update: Fox's dream-on panel, more about Ellen exit Joey Harrington, Fox Sports Analyst and Former National football league QB, Hit by CarFox Sports Cancels Show After Airing Segment Mocking Asian Students Its mission is centralize Fox's worldwide sports interests under one group to improve revenues through distribution and also to support News Corp's sporting activities and worldwide methods. It will likely be brought by longtime TV professional and producer Peter Hutton, who definitely are senior v . p .. He'll reviews to Hernan Lopez, FIC's leader and Boss, who's located in London. "As FIC makes its way into the sports distribution business, we're thrilled that the executive of Peter's quality has became a member of the organization," states Lopez inside a statement. "Mixing his extensive experience in working with worldwide sports television privileges and also the creative eye of the television producer, Peter is distinctively capable of lead this new endeavor." Hutton was most lately someone an director at Broadreach Media, talking to clients for example FIC, Sportsband Media Group and Willow Cricket. Two U.S.-based executives will even join the FIC Sports team: Peter Marco, vice president of economic and legal matters, who'll oversee the division's business, legal and strategy needs and Josh Oakley, director of purchases, who'll manage privileges purchases and coordinate operational needs. Related Subjects Worldwide Hirings-firings

Introducing Movieline's 2011 Oscar Index: Your Weekly, Fool-Proof Awards-Race Breakdown

Believe it: It’s awards season. Very early in awards season, to be sure, but time nevertheless for Movieline’s Institute For the Advanced Study of Kudos Forensics to reopen its doors and initiate the algorithmic sequences and other complex formulas resulting in the latest edition of our annual Oscar Index. As noted a year ago in this space, the Oscar Index is a weekly feature dedicated to parsing the latest and most sophisticated punditry about the awards race leading up to Hollywood’s biggest night. The goal is an objective read of a landscape littered with spent hype, dirty tricks, aggressive campaigning, and the occasional mink-coated Glamour Shots. The methodology is simply to listen carefully, observe trends and exhaustively read every single thing written about the awards contenders as the season unfolds. And the results? Not bad! Just ask Jacki Weaver. So! Let’s get to it! The Leading 10: 1. War Horse 2. The Ides of March 3. The Descendants 4. J. Edgar 5. Midnight in Paris 6. The Help 7. The Artist 8. Moneyball 9. Tinker, Tailor, Soldier, Spy 10. The Tree of Life Outsiders: Extremely Loud and Incredibly Close, The Girl With the Dragon Tattoo, The Iron Lady, A Dangerous Method, Contagion Obviously the rule change in Picture — five to 10 nominees, with a 5 percent of first-place votes required to make the cut — means that we have literally no idea who’s on the bubble this year. Even in January we’ll probably be wondering who, if anyone, qualifies for a sixth spot, seventh spot and/or beyond. So regarding the above, please understand that I’m not necessarily projecting 10 nominees; I’m just projecting the top 10 contenders for a nomination based on that aforementioned survey of the punditocracy. And did I mention it’s early? Where last year at this time we had already seen the clear Best Picture frontrunner by the end of the Toronto Film Festival (indeed, The King’s Speech won the fest’s audience prize; this year that award went to a Lebanese import), this year we’re reduced to remarking how wide open the field remains with such question marks as War Horse, Extremely Loud and Incredibly Close, The Girl With the Dragon Tattoo and J. Edgar (which now at least has a trailer) still months from being seen. In fact, you could argue at this point, as Kristopher Tapley smartly does, that the surprise hit The Help remains the film to beat perception-wise. Think about the crop of August heavyweights to flex their muscle in the 2009 Oscar derby — Inglourious Basterds, District 9, Julie and Julia — and how long a shadow they cast over that year’s festival crop. Moreover, look whom The Help is going up against as among the strongest festival contenders to date: George Clooney, whose Ides of March and Descendants have each received Oscar backing from the likes of everyone from Dave Karger (“[I]f you ask me, we now have the first sure-thing Best Picture nominee on our hands,” he wrote from Venice about Ides) to Andrew O’Hehir (“More of a muted, bittersweet Hawaiian-themed cocktail than a masterful cinematic experience, Alexander Payne’s new family comedy-drama The Descendants clearly emerges from the Toronto International Film Festival as a leading Oscar contender”). Of course, that was the same kind of broad, front-running momentum Clooney and Up in the Air left Toronto with in 2009, and we all know how that went. It’s not altogether unlikely for either/or/both of Clooney’s 2011 awards-season entries, either: “[Ides s]hould be respected across the board,” notes Gregory Ellwood “but Sony is going to have to campaign hard to land the 5% votes they need for a best picture nod.” Time critic Richard Corliss, meanwhile, underscored another bottom line for many viewers (and voters) of influence in Toronto: “What The Descendants couldn’t quite match were the high expectations on which it floated into town.” Most interesting might be awards wizard Steve Pond calling it early for The Descendants despite a caveat the size of a Chrysler: “I don’t see a Best Picture winner in this year’s crop of films. Instead, I see reasons why every single film deemed to be a contender will probably fall short.” The reality will ultimately vary; this declaration came after films like The Help, Midnight in Paris and The Tree of Life had earned their summer wings and prior to the Oscarrific raves for Tinker, Tailor, Soldier, Spy and the ongoing questions facing ostensible contenders Moneyball and The Artist. It’s a skepticism that reflects the general consensus that this probably a quintessential studio year: That the less we know about something today, the more formidably it can tower over the horizon. Think True Grit or There Will Be Blood… or War Horse. Frankly, until Steven Spielberg’s most lip-smacking awards bait since Munich is officially rejected by the Oscar cognoscenti, it’s the only probable contender that has yet to be compromised: No fetish-y marketing, no biopic-y hamfistedness, no Jonathan Safran Foer-y self-awareness. Instead it’s got a horse, a World War (the first, Holocaust-less one, but still), some kids, beloved source material and tons of ambition. And, well, Spielberg. So while, on the one hand, every Best Picture winner since 2007 (and five of the last six) has gone through Toronto, on the other we’ve got everyone looking back at Toronto wondering what the hell just happened. (Unless you’re looking at Contagion, I suppose, in which case I just don’t know what to tell you.) That suggests to me it’s time to look forward. For awards season, anyhow, the best must be yet come. The Leading 5: 1. Steven Spielberg, War Horse 2. Alexander Payne, The Descendants 3. Clint Eastwood, J. Edgar 4. George Clooney, The Ides of March 5. Michel Hazanavicius, The Artist Outsiders: Stephen Daldry, Extremely Loud and Incredibly Close; David Fincher, The Girl With the Dragon Tattoo; Bennett Miller, Moneyball; Tomas Alfredson, Tinker, Tailor, Soldier, Spy; Woody Allen, Midnight in Paris; Tate Taylor, The Help; David Cronenberg, A Dangerous Method; Roman Polanski, Carnage With the exception of that refreshing cap at five nominees, most of what’s written, noted and/or cited above goes for Director at this point as well. It’s a mess — competitive as usual, larded with prestige. A couple things to keep in mind, however: · Daldry is a perfect three-for-three in this category in his feature-directing career, and there’s no real reason yet to consider he couldn’t go four-four. · “”It seems safe to say that, right now, the only sure bet is Alexander Payne for The Descendants,” writes Sasha Stone, and she’s right. Fox Searchlight pretty much has its director game down to a science: pick one, and push. It usually works, and this year, as we’ve seen from Toronto, Payne is that director. · If Harvey Weinstein really wants an awesome awards-campaign advantage, he should consider developing a keyboard shortcut that allows the awards press to bypass typing “Hazanavicius” over and over again for at least the next four months.

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Toronto Film Festival: 'Lovely Molly' Star Gretchen Lodge (Video)

Among my personal favorite reasons for the Toronto Film Festival is they don't arrive their nose in the horror genre--actually, they've a whole portion of the festival known as "Night time Madness" for films they screen at night time devoted towards the horror/thriller/cult genre. Among the 2010 most anticipated Night time Madness movies was "Lovely Molly," written and directed by Eduardo Sanchez, among the co-company directors of "The Blair Witch Project." The film is comparable to "Blair Witch" only for the reason that it is a low quality, you will find handheld camera shots, and it provides a kick ass role for any female actor within the lead. Within this situation, the title role of Molly is performed through the fantastic Gretchen Lodge in...wait for this...her first feature film role.Let's focus on the enjoyment part: works out Lodge discovered the part with an ad in our personal Back Stage. I have located the initial casting notice, published following the jump, once the film was initially entitled "The Possession." The film focuses on Molly, an old drug addict and newlywed, who moves back to her childhood home and starts to see strange phenomena. It is a demanding role that needs lots of Lodge, and she or he provides inside a raw, vanity-free performance that really improves the film. Find Out More ON Behind The Curtain

Paul Telegdy Upped at NBC

Mark Gordon gets his feature film Source Code for the small screen. His Mark Gordon Company, that's locked right into a general deal at ABC Art galleries, has offered a TV version in the sci-fi thriller to CBS getting a substantial penalty.What is the news marks ABC Art galleries' to start with-network obtain the expansion season. Like the film which it's based, the experienceOrstep-by-step follows three former federal agents that are part of a higher-secret program. Each week, they'll use "Source Code" technology to leap into the understanding of people associated with tragic occasions. Gordon (Grey's Anatomy, Criminal Minds) will produce the project, with Vendome Pictures' Philippe Rousselet being a speaking to producer. Steve Maeda (Mislead Me, Lost) is aboard to produce. This follows a flurry of development season deals for Gordon's company, plus a contemporary Miami Vice-style crime drama Untouchable, an outrageous Stupid Love-esque emotional procedural Winging It plus an adaptation of Candace Bushnell's One Fifth. Gordon is repped by ICM. Email: Lacey.Rose@THR.com Twitter: @LaceyVRose Related Subjects ABC Mike Gyllenhaal CBS Source Code Criminal Minds Grey's Anatomy TV Development

Sundance Selects nabs 'Trishna' for U.S.

"Trishna"Sundance Selects has acquired U.S. rights to Michael Winterbottom's "Trishna," starring Freida Pinto and Riz Ahmed. Deal was introduced Thursday within the Toronto Film Festival, where the pic's been screening. "Trishna," produced by Winterbottom and Melissa Parmenter, is certainly an up-to-date version of Thomas Hardy's "Tess in the D'Urbervilles'' occur modern-day India as social versions disaster the romance involving the protagonists. Pinto shows the earliest daughter from the poor rural family who accepts the invitation from the handsome stranger to get results for an costly tourist hotel possessed by his benevolent father. Bankside Films is handling worldwide sales. Contact Dork McNary at dork.mcnary@variety.com

Michael J. Fox Returning to The Good Wife

Julianna Margulies and Michael J. Fox Michael J. Fox will reprise his role as Alicia's rival on The Good Wife, TVGuide.com has confirmed. Fox, who portrayed rival defense attorney Louis Canning, will return for a multi-episode arc, according to TVLine.com, who first reported the news. Louis was last seen offering Alicia (Julianna Margulies) a partnership in his new law firm, but she turned it down. Fall Preview: Get scoop on your favorite returning shows Fox made headlines last week when Nike introduced the 2012 Nike Mag, a replica of the self-lacing shoes Fox wore as Marty McFly in Back to the Future II. Proceeds from the eBay auction of the shoes go directly to the Michael J. Fox Foundation. The Good Wife returns Sunday, Sept. 25 at 9/8c on CBS.

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Entourage Series Finale: The way the Heck Did We Obtain Here?

Entourage [Spoiler alert! The next discloses major plot points in the series finale of Entourage.] The 4 boys from Queens left on jet planes as Entourage ended its eight-year operate on Sunday. The finale found most of the figures in completely different places where the series began, but we are still less than sure how everybody arrived. Below are a few of our greatest burning questions from and criticisms from the last episode: 4. No fascination with Turtle and Drama? The ultimate episode honored the primary guys' group of four - as well as portrayed within the scene when Turtle (Jerry Ferrara) calls Sloan and Eric's unborn baby "our baby" - therefore it was disappointing that a couple of the 4 men did not cash to complete besides follow Eric and Vince around because they made their large existence options. Sure, between Vince (Adrian Grenier) getting betrothed and Ari (Jeremy Piven) giving up the company, there have been already enough major existence changes with this 30-minute episode, however it could have been nice to determine that which was next for Turtle and Drama (Kevin Dillon). Did Turtle make use of the $4 million he got from Avion stock to spread out an italian man , restaurant? Here's wishing he isn't likely to just relax and do nothing at all together with his money, because Vince might have written him a cheque years back and saved him lots of trouble. After watching his career vacillate so unexpectedly for a lot of years, what's Drama's next move following the TV movie (you realize, the one which Vince needed to upgrade on him?) Entourage creator Doug Ellin about the finish, the backlack so when fans can get a film 3. How did Eric and Sloan's love story get so melodramatic? Audiences happen to be committed to the desire-they-or-will not-they dynamic between Eric (Kevin Connolly) and Sloan (Emmanuelle Chriqui) right from the start. However, instead of previous seasons, once the couple's major breakup happened off-screen, fans got a large taste from the pair's bitter split. But rather than putting the enjoyment in dysfunctional, the Eric-and-Sloan saga felt just like a declined idea for that short-resided Melrose Place remake. Yes, thank heavens they wound up together, but after a significant amount of there was a time allocated to petty issues Sloan wound up throwing the window ultimately anyway. (Just how can she not care whatsoever that her father really wants to shoot her baby dad? Thanksgiving will probably be so awkward!). And, truthfully, ultimately it had been the unplanned baby that actually introduced them together -- not love, not Vince, not other things. A rather underwhelming ending for that once-truly bride and groom. 2. Did Ari need to sacrifice everything to become happy? Ari's complete unraveling in Season 8 was undoubtedly probably the most interesting narrative, nevertheless its resolution wasn't nearly as satisfying because it must have been. Yes, it is good he and Melissa (I suppose I purchase that reputation for Mrs. Ari) returned together, but exactly what does it mean if he needed to sacrifice his life's work to really make it get together and the wife did not need to do anything? Entourage happens to be about Hollywood, but additionally about how exactly the 4 boys from Queens did not require the fame, the glamour and also the glamour to savor existence. Vince and also the gang were usually all right with putting their personal happiness first. Same with that what Ari required from his friendship using the boys each one of these years? Nevertheless, it felt like Ari denying who he is really. Ari's epilogue - by which he's offered the chance being the Boss and chairman of the huge media company merely a week after running away together with his wife - appeared a much better endnote, but additionally felt just like a set-up for that planned film. Take a look at photos from Entourage 1. Why did Vince need to fall madly in love? During the period of the series, the show was perhaps much more about Eric and the journey from pizza boy to manager wunderkind alongside his superstar closest friend. After eight seasons of featuring Eric like a hopeless romantic, it only made sense for that finish of his story to become tied so carefully to some mate. Why did Vince's journey need to be tangled up in this clichéd fashion? Vince's greatest triumphs and toughest falls were never as a result of women (save for Mandy Moore, rapport the authors did a far greater job of showing compared to one he instantly has with Sophia). Does Vince deserve to locate a nice girl and become happy like everybody else? Sure. Why so rushed? And why did he and Sophia need to prove their love by getting married (and hello? Would someone like Sophia, a smart lady who most lately dated a physician from Johns Hopkins, really marry someone like Vince following a couple of days? I believe not). After two crazy whirlwind romances and much more one-evening-stands than Wilt Chamberlain, could not the authors have just left it at, "I met a pleasant girl! I am in love with her! We'll see where it is goingInch and let viewers' creativeness go ahead and take wheel. A lot more logical was Vince's final save for Eric, and the subsequent letting-go of his closest friend once-and-for-all. Deep-down, the series was always concerning the friendship between these four men, and simply because friendship morph into new things and fewer codependent for Eric and Vince felt right. What have you think about the finale? Weigh in and share your ideas below!

Finale Review: HBO's Sunday Evening

Michael J. Fox, Ray David TV at its most extreme - Cinemax might say not one other way because it avoid its Sunday summer time tentpoles a few days ago. Here's my undertake all of them:Very Bloody: That might be True Bloodstream, which as always wrapped its season by having an orgy of very silly excess. Your body (and bawdy) count was high because the episode arrived at more climaxes compared to final reel from the last The almighty from the Rings movie. When and just how wouldn't it ever finish? Inside a bloody mess, that's how. But I have loved the majority of this year particularly due to its wild overkill, therefore it appears churlish to complain now.The primary gripe, quite normal with this show, may be the weak way the season's Large Bad (the witch Marnie, who possessed Lafayette in her own final version) was sent. After stabbing to dying poor Jesus inside a mission to own his dark brujo miracle, after which abruptly chaining a shirtless Bill and Eric to some stake to become burned, Marnie's reign of terror is turned away with a gaggle of Halloween ghosts, brought by Sookie's Gran (who yanks the bitch from Lafayette's throat) and also the return of Antonia, who collectively convince Marnie release a her rage and relaxation in peace. Gee, yet another easy meal. Her revenge will be to depart the vamps for their eternal existence about the hell that's Earth. (And it'll be hell for that boys, since Sookie has elected to leave behind each of them. Although not before she allows them acquire one last synchronised enter, while putting on amusing matching robes.)Using the Marnie dilemma ponderously resolved, and Gran's Hallmark advice to Sookie ("Being alone... ain't nothin' to become scared ofInch) interrupted by Eric's droll "Pardon me, we are feeling just a little crispy up here," there's still one-half episode to visit. And will it ever pile it on.The head lines: The anti-vamp Rev. Steve Newlin comes knocking at Jason's door, and that he flashes fangs! Alcide finds out a clear hole within the cement garage grave where Russell Edgington was entombed! (Yay!) Mike is faced with a snarling wolf! The ghost of Rene spooks Arlene by declaring that that Terry's war buddy Scott Foley is causing trouble again! Bill stakes Nan Flanagan (who's gone digital rebel included in a vampire insurrection) and it is covered in her own gore, while Eric beheads her "gay storm military," all because Nan known as them "(bleep)ing puppiesInch for Sookie! (That they are.) Darlene Pelt attacks Sookie, but her shotgun blast puts an opening in Tara's mind rather, and Sookie blows Darlene to kingdom come, cradling Tara's lifeless body and weeping for help because the show fades to black!It's like Tara stated at the beginning of the episode: "What exactly are we, like magnets for (bleep)ing craziness?" No kidding, sister, and given how this show works, I will not believe you are truly dead until you are six ft under. Even so, that's almost not a guarantee on True Bloodstream.Want more fall TV news? Sign up for TV Guide Magazine now!Very FUNNY: Curb Your Enthusiasm continues to be burning the final couple of days, and also the finale isn't any exception, as Ray David clashes frequently with upstairs neighbor Michael J. Fox (changing the thought of good sport), accusing him of utilizing his Parkinson's tics to harass and insult him. Each encounter gets worse and backfires towards the breaking point as Ray turns into a Manhattan pariah, banned by Mayor Bloomberg and running with Leon to Paris to uncover that bad parking knows no nationality and crossing the road breeds discontent in a language. Ray results in a trail of hilarity, this time around including Hitler doodles along with a machine given to his girlfriend's "pre-gay" 7-year-old boy, a Project Runway devotee who sews a swastika (inspired by Larry's doodle, natch) onto Susie's pillow sham. This act in some way leads Shaun to step before a bicycle, going for a "bullet" for his wife, ultimately as a suppository. Since always rely on Ray as being a discomfort within the you-know-what.Very SAPPY: This is the final episode of Entourage the bottom line is, a headlong hurry to some happy ending, filled with over-the-top fantasy wish fulfillment, no matter whether or not this makes sense at all. As always, the part which makes minimal impact is Vince organizing an insta-marriage in Paris together with his without color (and largely unseen) Vanity Fair sweetheart, purchasing her a huge Rachel Zoe-approved rock. (Saving the worst cameo for last.) Turtle and Drama beg the lovely and pregnant Sloan in the future along with regard to Eric, who's already packing up his office to follow along with her to New You are able to. Also saying they've had enough: Ari, who in Jeremy Piven's expert performance does indeed look defeated and depleted by his failing marriage towards the lovely Melissa (we learned Mrs. Ari's name the 2009 season). Inside a grand operatic gesture supported by actual opera troupe Il Volo, Ari shucks his job and sweeps Mrs. Ari off her ft, promising her a never-ending Mediterranean vacation or some such. This can be a story book on private jet wings, as Vince and the buds (as well as the Golds) disappear to Paris, while giving E their own plane to visit wherever with Sloan. Within the coda, telling us it was really Ari's show all along, he will get a phone call in paradise from studio mogul Alan Dale, offering him his position in the reins from the entire studio. "You'd like to learn what paradise is really, Ari? Try being God." But things to tell Mrs. God? What about: "The Entourage movie may be the last factor I'd ever greenlight. Promise. Enough already."Sign up for TV Guide Magazine now!

'Toddlers and Tiaras' Becomes PTC Target After Girl, 3, Dresses as Prostitute (Video)

The TLC Toddlers and Tiaras controversy train keeps on rolling.our editor recommendsTLC Disables 'Toddlers & Tiaras' Facebook Comments After Viewer Backlash (Video)TLC renews 'Toddlers and Tiaras''$#*!' advertisers not worried over PTC warning One week after an episode of the show, which featured a 4-year old wearing fake breasts and butt-pads to be dressed as Dolly Parton, caused viewer and critical outrage (and forced TLC to take down its Facebook wall because of negative feedback), the Parents Television Council issued a scathing statement about another segment onthe show. PHOTOS: PTC vs. TV: 10 Television Show Controversies TLC has been airing a promo spot that shows a young girl channeling Julia Roberts' prostitute character in Pretty Woman. STORY: 5 Not Very Good Ideas in TV Right Now "We have a serious problem when The Learning Channel features a toddler, who probably hasn't even learned to read, dressed as a prostitute showing off her sexy strut," Melissa Henson, director of communications and public education for the PTC tells The Hollywood Reporter. VIDEO: 'The Voice's' Blake Shelton reveals 'Toddlers & Tiaras' past "There's no question, TV executives are complicit in robbing these small kids of their childhood," she continues. "For years we've seen adults sexuality being inappropriately and aggressively foisted on innocent young children, but children today are being sexualized at younger and younger ages. All available data suggests they will suffer for it later in life." Related Topics Reality TV TLC